The Setting and Characters in "The Calling of Saint Matthew": In this article, we will explore the details of this painting, its historical significance, and its impact on the art world. This masterpiece captures the moment when Jesus Christ called upon Saint Matthew, a tax-collector, to become one of his apostles. One of the most iconic paintings from this period is "The Calling of Saint Matthew" by Caravaggio. The Baroque era of art was characterized by a dramatic, theatrical style that aimed to evoke intense emotions and create a sense of awe in the viewer. Title: The Calling of Saint Matthew by Caravaggio: A Masterpiece of Baroque Art and its Enduring Significance This painting is considered to be one of the greatest artistic masterpieces ever made. This man faces Matthew and points towards the apostle with his right hand. Perhaps Caravaggio is alluding in his artwork to Christ's role as Second Adam.Ī man with gray hair and a beard, wearing a gray-brown cloak, stands beside Christ at the Savior’s left side. The extended and raised, yet drooping hand of the Savior closely resembles the hand of Adam in Michelangelo's famous artwork, " The Creation of Adam". The Divine Master looks at Matthew, extending His right hand to the apostle. There is the thin outline of a halo above His head. Christ has pale skin, dark brown hair, and a beard. Of His body, only the Savior’s head and right arm are visible. He sits, straddling a narrow bench, with his hands on his hips, while looking to his right at Christ.Ĭhrist stands in the shadowed corner of the room, on the right side of the painting. A slender sword hangs behind him from his waist. The young man wears a black cap with a white feather in it, a black and white tunic, and white tights. A young man sits across from the boy sitting on Matthew’s left. ![]() He wears a black cap with a large white feather in it and a red and gold tunic. He wears a shirt, with yellow, white, green, and red on it, and some white tights.Ī young boy of about ten years of age rests his right arm on Matthew’s left shoulder. The boy has pale skin and thick brown hair. ![]() Beside the old man, leaning over the coins at the left side of the table, is a boy of about twelve years of age. The old man gazes down at the coins on the table. Light coming from the right side of the room, where Christ stands, falls on the tax-collector's face.ĭirectly to Matthew’s right stands an old man, with pale skin and wearing spectacles. Matthew looks to his left at Christ, while pointing at himself with his left hand in uncertainty, asking, "Am I the one to whom you speak?" Matthew’s right hand rests on the coins stacked on the table. Matthew wears a short red tunic, white tights, and a circular-shaped, black hat. He appears to be about forty years old, with white skin, light brown hair, and a beard. Just as the other people in the painting, the Jewish tax-collector is portrayed as a man from the late Renaissance. Matthew sits behind a small table on the left side of the painting. A wooden shutter hangs open to the left of the window, but nothing beyond the window is visible. There is one window slightly off-center in the wall. The scene of the painting is set in a dark room, with a brown wall as the backdrop. The image fittingly captures the moment in which the tax-collector wavered between his desire for money and the call of the Divine Master. ![]() This is a painting of the calling of the apostle Saint Matthew, by the famous Baroque master, Caravaggio. The Calling of the Apostle Matthew, by Caravaggio
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